
Unmasking the man behind the stunts
Percy Zvomuya reviews Heidi Holland's Dinner with Mugabe, a book
that the Zimbabwean leader's acolytes won't like
On world platforms, Robert Mugabe, eyes twitching and arms flailing,
never misses an opportunity to proclaim the injustices and double
standards of the West. The fact that Mugabe is a reserved, taciturn
man -- whose idea of relaxing after a day's work back in the 1980s
was reading a Graham Greene novel -- comes out in Heidi Holland's
book.
Dinner with Mugabe (Penguin South Africa) is in equal measures
touching and enthralling, damning and well-researched, reflective
and pacily written. It's a psychological biography of the hero
of the 1970s independence war against Ian Smith's government.
Holland spoke to Smith; Donato Mugabe (Mugabe's younger brother);
Jonathan Moyo, his chief propagandist during the first half of
this decade; Fidelis Mukonori, his priest and friend; Edgar "Two
Boy" Tekere; and a host of other people who knew Mugabe as
a child, then as an adult and now.
George Kahari, a sociology professor, says Mugabe developed a
pathological hatred of his father when he deserted his mother.
And this desertion and the subsequent dependence he had on his
mother, Kahari believes, explain Mugabe's homophobia.
The difficulty with this kind of book is obvious: how do you get
people to talk about the subject as honestly and truthfully as
possibly -- and to a white woman? For, after all, even Mugabe's
grip on power grows more tenuous while he still retains that power.
I found, for instance, the account by Patricia Bekele, Sally Mugabe's
niece, to be fluffy and idealistic. She obviously can't say anything
really damning, even though Sally's last days were not particularly
rosy especially when Grace Mugabe, then part of Mugabe's secretarial
pool, became his mistress. The same criticism could be valid in
the parts Holland interviews Donato.
The picture of the early Mugabe is that of a loner, an unambitious
person, who is thrust into the leadership of a violent organisation,
very much against his will. Tekere says he found Mugabe exasperating,
indeed, infuriating whenever Mugabe blocked moves to purge leadership
-- even in cases in which Mugabe stood to benefit. "At no
stage do you find him doing anything to promote himself to a position
of leadership. It's very strange. Even in Mozambique and at Lancaster
House he seemed to be almost unambitious."
One of the beauties of Holland's work is sifting through the Janus-faced
speak of "Two Boy" by using Tekere's own faux pas, such
as justifying his use of a Jaguar by saying that the government "had
so many social ills to address that it needed to move around fast".
Here is how he diminishes Mugabe's role in the farm invasions: "He
tried at first to find out what was going on but he was asked bluntly
which side he was on: the war veterans or the white farmer? So
he blessed it because he would otherwise have found himself at
war with the guerrilla veterans or whoever was organising them."
What Tekere conveniently forgets is that the land invasions began
after the February 2000 referendum, soon after the opposition had
championed the "no" vote to a new constitution. In part
it was a ploy to seal the rural constituencies from the Movement
for Democratic Change and reports at the time suggested that the
land invasions were not spontaneous but were carefully planned
and organised by the Presidency.
The picture that emerges from the book reveals as much as it conceals.
When asked how he felt about being refused permission to bury his
son at the time he was in prison, Mugabe simply replies: "I
am not bitter about people. I am bitter about the system."
But the real answer to that may lie in Lord Carrington's remark
about why he preferred the late nationalist Joshua Nkomo to Mugabe. "He
wasn't an intellectual like Mugabe but he was a human being."
Dinner with Mugabe may not be the kind of the book that Mugabe
acolytes or his ardent critics will like. The former could find
some of the analyses too damning and some of the interviews not
deferential enough; the latter might find the humanising of the "monster" disconcerting.
For, by stripping and unmasking the man behind the stunts, Holland
makes Mugabe become like any of us -- a fragile, tragic and hurt
man carrying so much pain and so much history.
He invites the Shakespearean notion of whether he is "a man
more sinned against than sinning". Dinner with Mugabe is without
doubt a brilliant achievement.
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